Libby Marr Embracing Imperfections

Finalist
Credits
  • Tauira / Student
    Libby Marr
  • Kaiako / Lecturers
    David-joel Van Vliet, Becky Ford
Description:

In an ever-evolving world of creativity, the pursuit of perfection often overshadows innovation and hinders progression for many artists and designers. In doing so, it instils a sense of self-doubt, discourages risk-taking, and often results in creative block. The creative process on the other hand, thrives on embracing imperfection and authenticity, and is imperative to confronting these challenges. Breakthroughs often emerge from trials, mistakes, and unexpected outcomes. However, allowing oneself to make mistakes is crucial, and this can be achieved through experimentation. The research functions as an autoethnographic study that employs heuristic methods to explore experimental printmaking as a mode of self-reflection. This process is achieved through experimentation with materials and process, reflection on action, and documentation (reproduction). Embracing Imperfections, through its physicality and methodological concept, utilises this inquiry to challenge this pervasive culture of perfectionism and ignite a renewed sense of creative freedom. It explores how experimental printmaking processes can foster an experience that challenges perfection and creates an embodied sense of flow. Embracing Imperfections offers a tactile representation of its designer’s creative process, printed on the work that embodies experimentation, guiding the reader through the influences that shape the making of the publication. As the experiments unfold, they reveal the fundamental connections between the imperfections of the creative process and the liberation from perfection. Various printmaking techniques were experimented with, like mono print, screen print, cyanotype, linocut, and risograph, as well as binding, digital printing, photographs, and scans, each enhancing both the tactile and visual aspects of the project. As a part of this exploration, the project considers the concept of publication as an artistic archive, shedding light on how tactile prints are reproduced and the fluctuating perception of value as a result. Presented in a hand-craft publication, this practice-led inquiry not only provides a narrative of personal discovery, but it also extends an intriguing invitation to others, challenging them to look inward, celebrate flaws, explore new approaches and be inspired to liberate perfection in their own creative practice. It aims to spark meaningful conversations about the nature of creativity and the importance of authenticity in artistic expression. Through its exploration of experimental printmaking processes and its tactile representation of the creative journey, this project offers a unique perspective that invites artists and designers to rethink their approach to perfectionism and find new inspiration in embracing imperfections.