Weaving in the Philippine archipelago extends more than a function of necessity; it is one of the oldest art forms integral to Philippine identity and culture. Despite centuries of colonisation, particularly under Spanish rule, and with efforts to suppress Indigenous practices, weaving survived as a symbol of resistance and identity.
The Philippines’ colonial history means that many Filipinos are left alienated within their own culture. This project explores Filipino Identity through the documentation of traditional weaving practices, which are a symbol of resistance and identity despite attempts at cultural assimilation from colonial powers.
The artefact is a visually constructed publication that employs a contemporary approach to conventional Filipino design, framing Indigenous practices through Western approaches to design. This approach to design contributes to the development of new, contextually relevant methods of documenting and framing Indigenous practices. Processes including screen printing, monoprinting, typography, and photography were used to facilitate a culturally rich and timeless publication that resonates with all viewers. This project is a homage to the traditions of the indigenous Kapampangans and the hands that have raised me. It contributes to a deeper understanding of traditional Filipino weaving practices and its importance in fostering Filipino Identity.
Description:
Weaving in the Philippine archipelago extends more than a function of necessity; it is one of the oldest art forms integral to Philippine identity and culture. Despite centuries of colonisation, particularly under Spanish rule, and with efforts to suppress Indigenous practices, weaving survived as a symbol of resistance and identity.
The Philippines’ colonial history means that many Filipinos are left alienated within their own culture. This project explores Filipino Identity through the documentation of traditional weaving practices, which are a symbol of resistance and identity despite attempts at cultural assimilation from colonial powers.
The artefact is a visually constructed publication that employs a contemporary approach to conventional Filipino design, framing Indigenous practices through Western approaches to design. This approach to design contributes to the development of new, contextually relevant methods of documenting and framing Indigenous practices. Processes including screen printing, monoprinting, typography, and photography were used to facilitate a culturally rich and timeless publication that resonates with all viewers. This project is a homage to the traditions of the indigenous Kapampangans and the hands that have raised me. It contributes to a deeper understanding of traditional Filipino weaving practices and its importance in fostering Filipino Identity.