Clemenger BBDO 28 Assembly Ltd Love Creep

Finalist
Credits
  • Pou Auaha / Creative Directors
    Brigid Alkema, Alex Metson, Julia Ferrier, Emily Beautrais, Matt Von Trott
  • Pou Rautaki / Strategic Lead
    Jake Firman
  • Ringatoi Matua / Design Directors
    Matt Von Trott, Brigid Alkema, Julia Ferrier
  • Kaituhi Matua / Copywriter Leads
    Alex Metson, Emily Beautrais
  • Ngā Kaimahi / Team Members
    Brigid Alkema, Alex Metson, Emily Beautrais, Julia Ferrier, Matt Von Trott, Matthew Wilson, Jane Oak, Christina Hazard, Carne Godfrey , Liss Neustroski, Emma Brown, Tylah Kiriona-McKenzie, Mike Gwyther, Leon Baldock
  • Kaitautoko / Contributors
    Jamie Lawrence , Claire Kelly, Cam Ballantyne, Steve Boniface, OMD Wellington
  • Client
    Ministry of Social Development
Description:

Cultural Context
New Zealand has the highest rate of domestic violence in the OECD – 1 in 3 women will experience abuse in their lifetime. LoveCreep.nz is a project by Love Better. The Love Better programme, set up by the Ministry of Social Development, is designed to help young people navigate sex and relationships to reduce harm now and into the future.

Problem
Coercive control is on the rise in young relationships. Left unchecked, it’s a key predictor of intimate partner violence. The lack of clarity around healthy relationships means young people question their own belief in what is ‘normal’. They don’t have the tools to adequately describe or identify controlling experiences. This leaves them unsure of how to reach out for help.

Strategy and Idea
Coercive control has the perception of being intentional ‘bad/boundary’ crossing behaviour. The reality is this is all tied up in the messiness of love. For young people experiencing the excitement of love, harm seems far away. The problem is there’s no hard line – love can creep into control and the boundary can be blurry.

Love is the BEST, full of juicy and intense feelings. LoveCreep.nz leans into this with a mobile-first experience that simulates coercive control. It helps people separate individual ‘loving’ behaviours through ‘Love Bites’ (collected from interviews with hundreds of Victim/Survivors) and identify wider patterns of control.

LoveCreep.nz steps away from ‘telling’ young people how control works and instead helps them understand and recognise patterns for themselves. They can reflect on their own relationships and ask themselves: ‘Is this love, or something else?’

Execution and Design
The art direction is inspired by brutalism, an architectural style that emerged in the mid-20th century, characterised by its functional, often austere aesthetic, creating an uninviting tone. A commitment to being reductive on the design journey created intentional discomfort. This process stripped away ‘love’ to reveal the brutal nature of control. The red palette signals both love and danger. The font is functional. The compositions are clipped, as are the edits.

The AV was shot in-camera, with the talent stripped bare – removing any personality through clothing and hairstyle. And the only sound heard is a repetitive industrial-like alarm to signal the start of Love Creep.

To drive young people to LoveCreep.nz, we leveraged our powerful red aesthetic, with striking 6” ‘Love Bite’ films, and 30” patterns based on real people’s experiences. The OOH also cut through on the streets. All of it asks, ‘Is this love?’.

On the experience young people can learn more, seek advice and use ‘Love Bites’ to create their own patterns of control based on what they may have experienced – which are pushed out to direct new people back in.

Results
LoveCreep.nz has already seen shifts in behaviour amongst our audience.
• +5% in young people being able to confidently identify controlling behaviour
• -5% in saying they’re experiencing control in their relationships
• Youthline, has seen an increase in callers asking whether their behaviour is controlling or not
• LoveCreep.nz is now being introduced into New Zealand high schools.