Credits
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Pou Auaha / Creative Directors
Shannon Bray (Landscape), Ezra Kelly (Architecture) -
Pou Rautaki / Strategic Leads
Lizzie Burn (Landscape), Alex Heperi (Architecture), Stitchbird (Visitor experience and brand design), Mark Ridge (Water Treatment Design) -
Pou Taketake / Cultural Leads
Hira Huata, Charles Paringatai, Alex Heperi
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Ringatoi Matua / Design Directors
Shannon Bray (Landscape), Ezra Kelly (Architecture), Charles Paringatai
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Ngā Kaimahi / Team Members
Graeme Hansen, Ezra Kelly, Stefania Ruiz, Alex Heperi, Shannon Bray, Lizzie Burn, Megan McBain, Lily Frederikse, Scott Parker, Alex Ferguson, Hira Huata, Charles Paringatai, Keita Tuhi, Ariki Huata, Nathan Foote, Phil Belcher, Caine Tawhai, Paula Savae, Atareta Savae, Parehuia Huata, Mark Ridge, Riaan STeyn, Bill Bristow, Herman Wismeyer, Mark Witowski, Duncan Bruce, David Plowman -
Kaitautoko / Contributors
Hastings District Council, Ngāti Kahungunu Iwi, Pakipaki Weavers
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Client
Hastings District Council
Description:
Waiaroha is a transformative, community-driven project born from Hastings District’s response to the 2016 Havelock North water crisis—a moment that revealed the urgent need for safe drinking water and the essential task of restoring trust through cultural integrity and connection.
Far beyond its functional role, Waiaroha is a living expression of Toitanga—the embodiment of wai (water) as a treasured taonga and a source of cultural identity, wellbeing, and belonging for Ngāti Kahungunu and the wider Heretaunga community.
Central to Waiaroha is a deeply woven partnership between mana whenua representatives and a multidisciplinary team of architects, artists, engineers, and educators. This collaboration ensured Māori tikanga, whakapapa, and pūrākau were authentically embedded into every aspect of the design, allowing the cultural narratives of wai to shape the very fabric of the project.
Guided by the narrative “Ki Uta, Ki Tai” (from the mountains to the sea), the site invites visitors on a physical and spiritual journey that reflects the natural flow of water through Heretaunga. Unlike typical infrastructure hidden from view, Waiaroha reveals its water treatment processes through expansive glass walls, symbolizing transparency and the mana of wai. Sculptural architectural fins evoke flowing wai, softening industrial forms and reinforcing the presence of wai as a living entity.
The Education Centre, or Whare Ako, stands as a cultural beacon inspired by the forests of Tāne Mahuta. Here, traditional Māori art forms such as whakairo (carvings), tukutuku (woven panels), and kōwhaiwhai (painted patterns) are integrated with contemporary design and interactive storytelling, creating a space where cultural knowledge, science, and community learning converge.
Throughout the landscape, crafted artworks by master carvers and weavers narrate the whakapapa and kaitiaki of the region’s waterways—bringing alive stories of taniwha, atua, and the sacred role of water in sustaining life. The use of natural materials, water features, and sensory experiences like mist and native sounds immerse visitors in the cultural essence of wai, inviting reflection and connection.
This holistic cultural expression is not superficial—it is the heart of Waiaroha. The project is a tangible manifestation of manaakitanga, kaitiakitanga, rangatiratanga, and atuatanga—values that guide the stewardship of wai as a living taonga. By creating an environment where cultural identity is celebrated and visibly honoured, Waiaroha elevates Toitanga beyond art or narrative—it becomes an experience, a place of belonging and pride for current and future generations.
Waiaroha exemplifies how cultural storytelling, indigenous knowledge, and design innovation can merge to create infrastructure that is not only essential but sacred—a landmark of cultural resilience and a powerful expression of wai’s enduring life force in the community.